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Archive for February 8th, 2006

This is just fun to read!

Wednesday, February 8th, 2006

I just ran across an article that was originally printed in a 1949 Saturday Evening Post and can now be found here at the IDRS site. Written by Jean de Vergier, we hear of his life with father (an oboist in the Boston Symphony). I relate so to this little segment of the article:

“What does [...]

Noooooooo

Wednesday, February 8th, 2006

You scored as Viola. Viola.
That’s always fun.

trombone

67%

Viola

67%

Cello

58%

Oboe

58%

Tuba

58%

Percussion

42%

Clarinet

42%

French Horn

42%

Bassoon

25%

Violin

25%

String Bass

17%

Flute

17%

Trumpet

8%

If you were in an orchestra, what instrument would match your personality?created with QuizFarm.com
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Another New Group

Wednesday, February 8th, 2006

New to me anyway:
Quartetto Gelato

Cynthia Steljes - oboe, English horn
Peter DeSotto - tenor, violin, mandolin
Alexander Sevastian - accordion, piano, bandoneon
Kristina Reiko Cooper - cello

This group is a bit unusual, and it just sounds like a whole lot of fun! Be sure and listen to some of their music if you visit the site.
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I Wasn’t Going To Say Anything

Wednesday, February 8th, 2006

I knew about this on Monday, but I hadn’t wanted to blog about it, not knowing if it was public knowledge. But since the local paper has the announcement, and it’s other places as well, I guess it’s no secret.
So here it is: the author of Mozart in the Jungle, Blair Tindall, and Bill [...]

Sorry this is so late!

Wednesday, February 8th, 2006

Deadlines are approaching for some summer festivals, workshops and camps. But do check things out by going to my Double Reed Days, Festivals, Camps & More page. From there you can check out all sorts of events for a variety of ages.
I really enjoyed my summer camp (both music and non) experiences when I was [...]

MQOD

Wednesday, February 8th, 2006

Bohème is one of the most skillfully orchestrated scores we have. The use of the Glockenspiel or the chimes, not to mention the more conventional instruments, is precisely related to the happenings on stage. Even the big drum—the bane of Italian opera—is here used with restraint. It is rather an oddity that Puccini is not [...]

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