04. December 2008 · Comments Off · Categories: Links

There’s a small article in the Merc due to the AMTSJ demise. It talks about how, even with San Jose Symphony’s death, it wasn’t completely “over” for us.

True.

I’m still working. But it’s not like it was, and I’ve certainly had to change the way I work. I have more students then I’ve ever had (which, truth be told, brings me great joy). I teach at UCSC (although we are having a budget crisis so I’m not sure what I’ll be given to teach this coming quarter). I take jobs with the notion that the bottom could drop out at any moment so I’d better work while I can (although I was relieved I wasn’t hired back for the Christmas Eve job I did last year; I froze and I vowed I wouldn’t take it again, knowing full well that if it were offered I’d probably have to). I’m very grateful for SSV, and we have been assured that we are “okay” there. My first love, Opera San José, is still around (even while ticket sales have been the worst ever this year). So I know I have work even in this difficult time. But I will never be completely relaxed about my jobs again.

And sometimes I do wonder what I would do if it all fell apart. I’m not skilled in much of anything else! (Anybody want to hire a professional whiner?)

Hmmm. Speaking of the “bottom falling out” the roof here just made a huge cracking sound. Maybe it won’t be the bottom falling out. Maybe it’ll be the roof caving in. That I’m definitely not prepared for!

04. December 2008 · Comments Off · Categories: Christmas, Videos, Watch

Ad te levavi – Dominica I Adventus

On the demise of AMTSJ:

Well, your email was the first I’d heard of this development. I’ve since read the sad news online, and, at this point, can only say that I’m shocked.

You can read the whole thing here

I talked to a few musicians last night who always played for AMTSJ. They found out about the death of the organization through the newspaper. They had no clue this was possible, and the only recently finished up with Flower Drum Song. I heard one player talking, and he sounded so fearful of what he would do to make up for all that he lost. And he was fairly new to the organization. I feel especially for those who always play and have been doing so for a much longer period of time.

04. December 2008 · Comments Off · Categories: Links, Videos, Watch

Sara isn’t playing oboe. Sara is “playing” saxophone. Or at least pretending.

Sometimes I wonder about people and what they do with animals. But it’s been going on forever.

04. December 2008 · Comments Off · Categories: BQOD

“I Saw Three Ships” is ALMOST DONE.

All that remains is to finish the coda, flesh out the English horn’s harmony in the second verse, and add appropriate markings and the like. And I am DONE.

My dilemma: Apparently the school band hasn’t got English horns.

So either I’ll just have to play the crappy synthesized version in the music program, or substitute an instrument. I have my brother volunteering his oboe, but… well, it’s very nice of him and he’s a great musician, but see, those things honk. I do not want my Christmas arrangement honking, thank you very much. I figure I’ll be tackling a violin if I can’t find someone who plays English horn by next week. Ah, well. Either way it’ll be performed, and that’s all that matters.

Hmmm. An oboe honks?! Maybe it’s just her brother that honks. One wonders.

04. December 2008 · Comments Off · Categories: Another One Bites the Dust, News

Opera Fans Get The Silent Treatment
Faced with mounting red ink, the Chattanooga Symphony & Opera voted to jettison the last part of its name for the time being. Board Chairman Susan Rich said that the CSO has lost more than a million dollars in the past six years while staging 11 opera productions. The rising costs of everything from costumes to guest artist fees to stagehands and musicians have pushed the average expense of an opera production to around $225,000, nearly $125,000 more than is brought in even with generous corporate sponsorship and sell-out crowds paying top dollar for tickets. The plan is to take this year off to study ways to bring opera back to Chattanooga without losing money, including looking at collaborations with regional companies, presenting touring versions of opera, or even limiting local opera productions to every three years.

I read it here. I have to say that if dropping opera is what it takes to keep them in business, go for it. Right here we’ve lost San Jose Symphony and American Musical Theatre of San Jose. I was extremely sad to read this note today:

Dear Friends,

It’s with a heavy heart that we inform you of the demise of American Musical Theatre of San Jose. We are sorry we were not able to talk to all of you personally but time does not permit us to at this time. It has truly been an honor and pleasure to work with all of you and we sincerely hope our paths cross again soon.

On behalf of all of us here at AMTSJ…warmest regards,

Michael Miller
CEO & Executive Producer

American Musical Theater of San Jose
Ceases Operations, Effective Immediately
The American Musical Theatre of San Jose today announced that it is ceasing business operations, effective immediately. The theatre’s upcoming productions of Tarzan and 42nd Street have been cancelled although the touring production of Chicago will be performing as scheduled, all tickets will be honored. We are currently in communication with the producers of Avenue Q, to achieve the same result as Chicago.

“We received a telephone call a few days ago from our co-producer for Tarzan, which was the Theater of the Stars in Atlanta, Georgia basically telling us that they used the funds that we had paid them towards the production for other things,” said Michael Miller, CEO and Executive Producer of AMTSJ. “In essence, they cancelled the show without giving us any warning, and we discovered that the funds we had paid for Tarzan were spent on another production of theirs, which lost a significant amount of money,” Miller continued.

Added Robert Nazarenus, AMTSJ’s Chief Financial officer: “The cancellation of Tarzan meant nearly a two million dollar loss to us. The disappearance of the six figures that we paid to Atlanta’s Theater of the Stars in good faith coupled with the huge loss of revenues we anticipated from Tarzan was just too much to overcome, particularly in these economic times.” Nazarenus went on to say “Despite the harsh economic times, we were operating prudently, and had a solid strategic plan in place. We have always found a way to succeed, with quality productions, patron loyalty, and community support. This season was no different. But, when you in essence lose nearly two million dollars, it is impossible to recover. What makes this even more frustrating is the fact that this is caused by the wanton actions of another theater company.”

AMTSJ’s local attorneys, coupled with strong legal representation hired in Atlanta, are pursuing aggressive action against Atlanta’s Theater of the Stars. Miller and Nazarenus indicate that they will pursue AMTSJ’s claim to its successful conclusion. “We are devastated for this community, our staff, and most of all for our loyal patrons,” Miller said. “It is especially frustrating because of how hard we have worked, how sound our plan going forward has been, and because of the history and heritage of the American Musical Theatre of San Jose. This is a sad moment for all of us. We will aggressively pursue our claim against the Theater of the Stars to recover whatever money we can to pay the City of San Jose, our vendors and our loyal patrons for their good faith investment in AMTSJ.”

Sad, sad, sad.