That balanced perspective would encompass the huge variety of orchestras, especially the unsung regional ones, where the heart of classical music beats. It’s not just about sound; it’s about listening. The symphonic space demands a uniquely focused listening perspective that we rarely experience anywhere else in the 21st Century. Not every piece needs to be a magnum opus: An opener, whether John Adams’ Short Ride in a Fast Machine or my own Mothership, is light by definition. But the works must withstand the internal attention of an orchestra and the external attention of a couple thousand active listeners. And when you get to longer, symphony-length works, you can really travel to trippy places.
Read on Mason Bate’s blog.