I had a rehearsal today for our opening weekend of Symphony Silicon Valley, that began at 3:30. By 4:00 I was done with the Harold in Italy portion of the rehearsal, where I play a brief time in the third movement. I went to a local coffee shop for a latté while the orchestra rehearsed some Verdi. I came back for the Respighi, but “my” movement — again the third — didn’t get rehearsed, so I was able to sit and enjoy the wonderful first two movements of the work (Ancient Airs and Dances, Suite No. 2, which has four movements all together). I just love the Ancient Airs & Dances suites. We listened to them a lot when our oldest was young, because he really loved them as well. This music is bringing back wonderful memories of that.
I’m on English horn this set, and it’s a rare concert because I’m barely necessary and the tiny solo I do have could quite possibly go unnoticed by most listeners. I’m okay with that — low stress works well for me these days. In addition, I have the best seat in the house, I don’t have to pay to sit there and, in fact, I get paid to do so.
Funny aside: There are three works on the program. I play the first and third works. I play in the third movement of the two works that have English horn. In both of those movements I don’t play for the opening and closing sections, just playing in the middle. (If you don’t look at the exact right time you just might miss me picking up the instrument!)
I love patterns. Can you tell?
Here … have a flower for reading oboeinsight today. This Rudbeckia flower was made over a year ago. I’m busy these days attempting to delete all my bad work so I only have things worth working on left on my computer.