Les Dissonances chamber music series started performing on June 17. They were quite careful to only seat 150 in an auditorium that seats over 1,600. I believe I read that the audience was also required to be masked but now I can’t remember where I read that.

Only trouble?

The musicians weren’t masked as they shared the stage. They played Ravel’s Ma mère l’Oye piano duo, sharing a piano. No gloves, of course. They played duos, trios, quartets … and Natalie Dessay sang at what turned out to be their final concert.

After four concerts they canceled future events because one musician tested positive for Covid-19.

And this is one reason I don’t believe performers will be back to work in the near future. Here in the United States I am certain we won’t be back to work for a very long time: we have been so much worse about being careful and our numbers are far too high and rising.

I find the news of the chamber concerts in France so troubling. When we began to cancel concerts some suggested orchestras play for empty halls but live stream the concerts — as if we are immune to this horrendous virus. (Or is it that we are expendable? Hm.) One orchestra in Germany DID do a live stream concert in that way (funny, though, that many of their regular players didn’t join in and there were a number of subs or second players sitting principal). They were unmasked and seated normally, quite close together, with no screen protection. Early on we were urged to figure things out. Get back out there. Don’t let music die … don’t let the audiences down … don’t let them forget us!

Truth be told, we musicians (and I’m guessing performers in general) have always been so ready (and urged) to work while ill. I know I even played when I had a fever of 102° (many years ago). I know one player who sat in a pit while ill and, as a special little gift, gave a neighboring musician pneumonia. We have had “the show must go on” drilled in to us for far too long.

I’m grateful for the musicians who have the energy to put together the “virtual performances” we find online. No, they aren’t the same as being in a hall full of people, or being on stage with our colleagues, but they are safe. This time of confinement doesn’t mean the music stops. It means it is offered up differently. It does mean some will be retiring rather than returning (lists of openings are growing, from what a friend and colleague told me). But the music doesn’t have to die. It’s a new time of creativity and careful planning. Performers are creatives, after all … time to create in new, safe, experimental ways.

Here … enjoy this wonderful safe performance of the last movement of the Beethoven Oboe Trio, played by Seattle Symphony musicians Mary Lynch, Chengwen Winnie Lai, and Stefan Farkas.

No, it’s not oboe, but one of the harpists, Ceci Lagarenne, is an oboist!

Brookhaven College Harp Ensemble performing a virtual concert of Cindy Horstman’s “Green and Blue”

Everyone knows by now that there will be no live performances this summer. Many of us believe there will also be no live performances in the coming year. Yes. I’m sorry to admit it, but I can’t imagine we will be back on stages soon. That doesn’t mean the music has died, though. As you’ve seen on this site, many are making music together, while being apart. THAT will, I’m sure, continue.

When I see announcements similar to the one I’m featuring below I will post them here. Please participate in these if you are able. Please donate to these as well. There are sure to be some groups that will not return once we get through this crisis unless support comes from readers like you.

And now for an announcement from Music in May (MIM):

Introduction by Artistic Director, Rebecca Jackson

MiM 2020 presents From Our Home to Yours
A two-part video series released each weekday from April 27 through May 22

www.musicinmay.org
Support the series

E-ducation Series
Promo
Released every weekday from April 27 – May 8, a 10-part series for K-6th graders covering a wide range of all things music featuring the MiM 2020 musicians.

April 27: Folk Music by Juan Jaramillo (violin)
April 28: What is Classical Music? by Rebecca Jackson (violin)
April 29: Melody & Harmony by Rupert Boyd (guitar)
April 30: Rhythms & Tempo by Alexandra Leem (viola)
May 1: Practice by Rufus Olivier Jr (bassoon)
May 4: Chamber Music by Daniel Stewart (viola & conductor)
May 5: Playing Expressively by Steven Moeckel (violin)
May 6: Exploration of New Music & Extended Techniques by Ashley William Smith (clarinet)
May 7: Celebrating Beethoven by Jonah Kim (cello)
May 8: Classical in Pop Music by Laura Metcalf (cello)

Offstage Series
Released every weekday from May 11 – May 22, this performance series will take us offstage, around the world, and into the homes of the MiM 2020 musicians.

Memorial Day Weekend Livestream
Check Music in May for updates

06. April 2020 · Comments Off on Music That Moves You · Categories: Can't Stop the Music!, CovidTimes · Tags:

Does music have to be made by professional musicians to make a person cry?

Nope.

“Lockdown Waltz” – The Corona Orchestra (121 tracks, 75 musicians, 11 countries, 3 continents)