… and then there’s the review of San Francisco’s Barber of Seville. It appears Barber is a toughie to do. Pacing and all that jazz …..
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I still prefer the Bugs Bunny version.
I bet some of these critics would’ve panned that too.
Bastards.
Oy, that Fremont review! I’m glad he liked it. But:
– “Area” instead of “aria”? (OK, maybe that was an editor’s mistake.)
– Ariela Morgenstern, not Andrea.
– Set design by Matthew Antaky, not Michael.
I guess I just showed how carefully I read, eh? Didn’t even notice those things! Oops. (I’m not sure I would have noticed the wrong names, though, as I know barely anyone on stage any more. I hate feeling so darn disconnected from the singers!)
Still, I guess we can be glad that he liked the opera. And he sort of got some things close to right …? (Someone recently gave me a great review. For my English horn playing. On a work that had no English horn. Sigh.)