If information is embedded in the concert format, pitched at the right level and done in a way which creates a rapport with the players, a younger audience can really appreciate live classical music.
Thoughts?
Tom Service’s thoughts on this.
I have some, but I’m so incredibly tired at the moment I really must rest before I teach and play a ballet tonight.
Meanwhile, here’s a snippet of what is called “Classical Revolution” … musicians playing (I believe for free?) in bars and cafés. Is this what people would prefer?